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White Printmaker Bunbury

In Uncategorized on September 16, 2013 at 3:03 pm

Poetically speaking, as I continue to read the life of White Scottish Robert Burns poet, it says he was deeply affected and even cried at one of Bunbury’s prints of a picture of a dead (White Scottish) war veteran lying on the ground, with his wife in tears, and the faithful dog next to him in misery. It was so moving the poet himself, a mere ploughman, (yes it wasn’t only poor blacks that were farmers, but Scots as wells, and the White Poles for Jews for 900 years and they were mean compared to the generous and kind White men of the south!

I couldn’t find the print of the dead Veteran, by Bunbury, but this was close. It is a character from White William Shakespeare. (and yes Whites must begin to become artists and use all colors of the races as there are all colors of the rainbow. To not see it is to be color blind.

The apparently dead woman’s name is Imogen, and you can see the men around her are concerned. The dogs whom she loved (as I loved my pedigreed and even mutt German Shepherds which were the first 4 litters until a spark of inspiration told me to have her professionally mated and tell the difference of how much better the pedigreeds were.

I will post separate post on White Shakespeare’s “Imogen,” and her supposed death. I say “supposed” for somehow she really didn’t die.

Imogen is supposedly dead and the males and dogs are in grief. Poet Scottish Burns wept when he saw the print.

Imogen is supposedly dead and the males and dogs are in grief. Poet Scottish Burns wept when he saw the print.

Anna Kopaczewski's photo.
Poetically speaking, as I continue to read the life of White Scottish Robert Burns poet, it says he was deeply affected and even cried at one of Bunbury’s prints of a picture of a dead (White Scottish) war veteran lying on the ground, with his wife in tears, and the faithful dog next to him in misery. It was so moving the poet himself, a mere ploughman, (yes it wasn’t only poor blacks that were farmers, but Scots as wells, and the White Poles for Jews for 900 years and they were mean compared to the generous and kind White men of the south!

I couldn’t find the print of the dead Veteran, by Bunbury, but this was close. It is a character from White William Shakespeare. (and yes Whites must begin to become artists and use all colors of the races as there are all colors of the rainbow. To not see it is to be color blind.

The apparently dead woman’s name is Imogen, and you can see the men around her are concerned. The dogs whom she loved (as I loved my pedigreed and even mutt German Shepherds which were the first 4 litters until a spark of inspiration told me to have her professionally mated and tell the difference of how much better the pedigreeds were.

I will post separate post on White Shakespeare’s “Imogen,” and her supposed death. I say “supposed” for somehow she really didn’t die.

Poetically speaking, as I continue to read the life of White Scottish Robert Burns poet, it says he was deeply affected and even cried at one of Bunbury's prints of a picture of a dead (White Scottish) war veteran lying on the ground, with his wife in tears, and the faithful dog next to him in misery. It was so moving the poet himself, a mere ploughman, (yes it wasn't only poor blacks that were farmers, but Scots as wells, and the White Poles for Jews for 900 years and they were mean compared to the generous and kind White men of the south!

I couldn't find the print of the dead Veteran, by Bunbury, but this was close. It is a character from White William Shakespeare. (and yes Whites must begin to become artists and use all colors of the races as there are all colors of the rainbow. To not see it is to be color blind.

The apparently dead woman's name is Imogen, and you can see the men around her are concerned. The dogs whom she loved (as I loved my pedigreed and even mutt German Shepherds which were the first 4 litters until a spark of inspiration told me to have her professionally mated and tell the difference of how much better the pedigreeds were.

I will post separate post on White Shakespeare's "Imogen," and her supposed death. I say "supposed" for somehow she really didn't die.
  • White “Imogen,” from White William Shakespeare’s play. Shakespeare was the most voluminous writer of all time. Imogen is mentioned in post below.

    You see in our White history breasts were normal and used for breastfeeding. Then the Jews and their imps came along and said, “What can we sell to the dumbed down Whites that they don’t need but we can get rich on and continue our Jewish Empire over them and the world.” Voila! Women’s breasts! Although the white breasts are the only perfect food for white babies, the Jewish doctors’ wives insisted on baby formula (sugar followed by 22 drugs and we know the Jews were the sugar Kings in the 1600’s and the drug Kings until today.) Also there were paintings and statues galore of women’s breasts even in the Vatican, (which they have exhumed and resurrected from their basements when they hid them because the new Protestant religion said we had no body but are spiritual. The Catholics were losing too many Whites so they hid all these in basement.

    Then the Jews decided that covering up the breasts actually helped homosexuals who play the part of a woman (yes they are insane but as Hitler said perhaps they can be helped for Hitler was so human and merciful, not like the deadly Jews who don’t even have feelings just mathematical banking minds).

    Also, Jews decided they could make breasts “taboo” and “sexy” and again make money off the Jewish porn industry. It should infuriate the White male to know the Jews not only duped him but make the Whites pay nearly $25 billion dollars a year to Jews to watch porn. While the White man jags off to magazines or computer screens which are not real and cannot even smell the scent of a woman which is #1 importance, the Jew is screwing all the White women galore, as was happening in Poland, and Germany, until Hitler and the Nazis made a law (for the advantage of Whites not for the advantage of Jews which all the laws in Poland and now USA are for and against Whites)…. telling girls to report to police any sexual infraction or abuse by a Jew. Not only did the Jewish doctor rape me in Chicago, but a Jewish dentist on Commercial Avenue, fondle my breasts as he drilled my teeth! I’m terrified of dentists until today.

    From Wiki on “Imogen.” I may change to Encyclopedia Brittanica for it was invented by Scots.

    The name of painting is “Imogen was the daughter of King Cymbeline in Shakespeare’s play Cymbeline.”

    The name Innogen is mentioned as a ghost character in early editions of Much Ado About Nothing.

    The action of the play is quite interesting: “Imogen is princess of Britain, and the virtuous wife of the exiled Posthumus, whose praise of her moral purity incites Posthumus’s acquaintance Iachimo to bet Postumus that he can seduce her. When he fails, Iachimo hides in her bedchamber and uncovers her body while she sleeps, observing details of a mole on her breast which he then describes to Posthumus as proof that he had slept with her. Posthumus plots to kill his wife, but the designated killer reveals the plot to Imogen and advises her to hide; she escapes to the woods dressed as a man and falls in with a family who help her. Taking a drug, she falls into a coma and is presumed dead by the family, who cover her body and sing a song over her. When she wakes she finds the headless body of Cloten, a brutish character who had planned to rape her while wearing Posthumus’s clothes, but had been killed in a fight with one of the men who took her in. She mistakes the headless body for that of her husband. After the battle at the climax of the play she confronts Iachimo who confesses his lies. She is reunited with Posthumus, her father (King Cymbeline), and discovers two of the men who took her in are actually her long lost brothers.”

    “Stephen Dedalus alludes to Imogen in Ulysses, referring to the episode in which Iachomo observes the mole on her breast: “Ravisher and ravished, what he would, but would not, go with him from Lucrece’s bluecircled ivory globes to Imogen’s breast, bare, with its mole cinquespotted.”

    E. M. Forster alludes to Imogen in Where Angels Fear to Tread when describing Lilia’s sadness in her marriage: “Not Cordelia nor Imogen more deserves our tears.”

    From Shakespeare's character Imogen lies sleeping and husband', Posthumus' friend Iachimo bets him he can seduce her. He doesn't but since he saw her nude breasts with mole he convinces Posthumus in error he had copulated with her.

    From Shakespeare’s character Imogen lies sleeping and husband’, Posthumus’ friend Iachimo bets him he can seduce her. He doesn’t but since he saw her nude breasts with mole he convinces Posthumus in error he had copulated with her.

     

    Con’d – White Shakespeare’s character White Imogen.

    Here’s a painting by White Hermert Gilbert Schmaltz of White Imogen. One wonders what she is looking at so intently ahead of her that she has to raise her sword from its sheathe!

    What would this White women feel she has to protect: herself from plots against her as her husband’s best friend planned a conspiracy to seduce her which led to her running away, given a heavy drug that set her into a coma like state!

    Or do you think she has babies she has camouflaged so the Jewish men don’t rape them. It is in their satanic book the Babylonian Talmud where Jewish men are allowed to rape even at one hour old I believe! And don’t let the Jews now put this into porn for White men while Jews screw all the White women. I believe even though the Jews have temporarily paralyzed the White men, their instinct, which is stronger, is still there for it’s been there for perhaps 2 million years. A mere hundred years can’t take it away.

    If I were to analyze this painting (can be found on Wiki for Jews control 80% of all White art for centuries and it is because of greedy Jews who make the big $$$, the actual white painter either gets nothing or is a “starving” artist. So you see, it isn’t just the White Polish people of Galicia Poland who Jews starved to death 50,000 a year, but even White humans such as artists or even myself growing up as a daughter of slaves for Jews in South Chicago, five blocks down from Michelle Obama on Euclid Avenue. She should be so ashamed she should cover her face with a veil in public to hide her crimes, her greed, her hatred towards Whites and America.

    In this painting or art appreciation I study the lights and darks first. (Oh whites didn’t know there was a different between lights or darks or worse yet, that only darks existed and should be cheered and given welfare for 400 years of their White treasury while other Whites rot away.)

    The “star” in the painting or the most obvious is her White skin on her arm clenched for sudden action in response to her “fight or flight” mode. Jews have whites on “flight” mode so much I’m surprised we haven’t released our bodies and became airplanes! The “star” is the lightest or brightest.

    The Next star is her face and again it is not only White features which Jews hate but it seems to be used as a sign or error to someone outside the painting who she is going to attack. It is “invisible” to the eye, just as Jews’ crimes are “invisible” to the White mind or world for that matter.

    I’d say the sharp edge of the blade of the sword would be next star. It is highlighted on the bottom for the razor killing sharpness rather than highlighted from above which would be the dull side. (This is how artists talk to you, but Jews dumbed down Whites so badly Whites can only talk in Jew’s terms for we live on their “Jewish plantation” as White slaves…. we talk in mathematical terms or dollars $$$. Jews have no feelings. Marilyn Monroe found that out the hard way when Jew Arthur Miller was so charming to her to lure her into marriage as a weapon against the Whites in Congress who were trying to imprison the Jewish Commies of Hollywood. But, as usual, the Whites lost and the Jews won and were not sent to prison. Only pro-Whites get sent to prison or banned, barred, persecuted, sent to insane asylums. When Arthur Miller was thru with Marilyn and used her like a piece of White toilet paper for his smelly crap, he then went into this cold calculating mode of non-feeling and got rid of her thru psychiatrist.)

    The Whitist part on the fabric edge has little arrows on them pointing to the power of the sword. (old saying the “pen” is mightier than the sword!”)  If you follow all the swirls and folds of the fabric on her prussian blue gown the lines lead towards the White skin of her hand ready to draw her sword after her enemy outside the painting.

    Note how her strawberry blonde hair comes to a point again to form an arrow to give her White skinned hand and mighty army the courage with her mighty sword. The sword and the arm and skin are nothing without…. C O U R A G E !

    Her cloak and sword were made by White men and women that worked together not fighting apart as Jews or our own ignorance or the “dumbness” that Jews created.  (that is left to new classes at Harvard once we take our universities back which were bought and paid for by Whites but swindled by Jews who also took over New York Times 1890’s and Thomas Edison’s movie machine 1925-1927.)

    The sharp outline of her profile is absolutely amazing. The lines are so sharp as if her very cells on her face are ready for battle. Her eye is cunning even more so than an African tiger or lion for she is “above” animals, not “below” them as Jews have made us.

    White Imogen is “crouched” not standing and smiling for a picture, but focused, unaware of anything but her survival!

    Behind her are the deep forests of a European winter. The branches of trees are dead and barren like our White wombs of today. White women have aborted 50,000,000 White babies and are paying for with their own and husband’s and estate of parent’s wages for brown 50,000,000 White Immigrants.

    Meet Imogen! (Move over JAPP, Jewish American Princess on a Pedestal, or their Black voo doo high priestess Michelle Obama from Euclid Avenue!)

    White Imogen from Shakespeare's play is poised for battle against her enemy.

    White Imogen from Shakespeare’s play is poised for battle against her enemy.

     

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