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USA Tries Unsuccessfully to Break Jew Hollywood Monopoly

In Uncategorized on July 15, 2016 at 3:48 pm

Here’s something I will be putting in my book regarding our efforts, 1938, just before Jews declared War on White Germany. The USA did what I wrote the the FCC about. Break the Jewish Monopoly on Hollywood. See my website for “I Dream of Jeannie.”

 

There is some really heavy stuff in the following clips from the website. This was “right” before World War II, and one can see “why” the Jews started the war. The Justice Department was going to break the Jews here in the US, so the Jews had to invent the Holocaust to detract them. This is very powerful.

 

As early as 1938, the Justice Department’s Antitrust Division had filed suit against the eight big motion picture companies Paramount, Loews, RKO, Warner Brothers, Twentieth Century Fox, Columbia, Universal and United Artists for ‘combining and conspiring to restrain trade in the production, distribution, and exhibition of motion pictures,’ in violation of the Sherman Antitrust Act … Thurman Arnold, the head of the Antitrust Division charged that the motion picture business had become ‘an industrial dictatorship and strictly unAmerican … The danger in this country is the private seizure of power … it is subject to no criticism and no attack because no one even knows about it.'” [MOLDEA, p. 46]

 

Indeed, James, the Jews “created” an empire of their own in Hollywood. The Mind is a powerful thing and the Jews used it:”Within the studios and on the screen,” says Neal Gabler,”the Jews could create a new country — an empire of their own so to speak … They would create its values and myths, its traditions

and archetypes … This was their America and its creation may be their enduring legacy….  They lived in large, palatial homes that imitated (some would say “vulgarized”) the estates of Eastern establishment.

The Gentiles, it seems to me, were now buying into the war against Hitler, and since Jews owned even comic books for media to the young people, there was nothing stopping them. Just like now, with gas prices so high, and even thoughts of tripling, America will eagerly buy into another war. WE cannot heal as a White race, until this other stuff melts away.

 

“Perhaps the most unique aspect of Jewish participation [in Hollywood],” says Jewish scholar Patricia Erens,

 

“that which sets them apart from any other ethnic group — has been the

virtual monopoly on film producing … As Jews gained a foothold in

the industry, they hired friends and relatives, and so their numbers,

 

“This” is what started the concept, “It is not ‘what’ you know, it is ‘who’ you know. And thus, American White males, or even myself, doesn’t stand a chance against the “Empire.”

 

But, it was the comedy shows that we loved so much, like “Jeannie” and Maj. Nelson, (I Don’t like to call it “I Dream of Jeannie” because as you will read later, the Jewish men have fixations on Gentile women, even making them “goddesses” to be adored and worshipped and they like having the control of making them “stars.” Like the “star of david. That must have been where that term “star” came from…. Even Jeannie was a blonde “star” and Maj. Nelson just a background for her. Hence, I try to use the term Major Nelson as much as possible and make them a pair of White people, both important.) Even giving “stars” in school, reinforced the “star of david.” But, to continue, it was the comedy shows, that were the JEWISH REVENGE ON AMERICA, the article screams. And, the Jews don’t even worry they are so self-assured in their neurosis, that the other races, even Whites, that follow, will imitate them in order to make it into show business. The sad thing is, for a 100 years, our dreams could never come true, cause it was all Jewish connections and Jewish mafia. I mean, think of the Jewish comedians, reading anti-Nazi, and Hitler-hating, and Holocaust suffering, to stir these Jewish comedians into a frenzy of hate, and then unleashing them on unsuspecting “paying” White Gentile audiences!!!!! This is, (I can’t insert a word, Webster has not defined a word to describe how bad this crime is against our Race, Society, Culture, Country, World, and Planet.)

 

That is because it is a ‘feeling’ and “feelings” always can’t be put into words, as much as the Jews like to talk and argue. If Hitler knew about this culmination of Jewish hatred against Gentiles, he would effectively pound the table and scream, and his hair would shake on his head, and his temples of his head would start to bulge. But, at least there would be action. He’d get the Nazi SS to start some program or something, and it would be “implemented” “or else.” And a lot of time no discipline would be necessary, cause it was the “or else,” that mattered.

Now, in Vegas, we have a black nigger called “George Wallace,” and he is unleashing his hatred against Whites, only it is disguised, because it resembles all the Jewish comedians before him.

 

Here is another clip, (I promised I wouldn’t send them, but I can’t write as well as them) “This [Hollywood],” complained novelist Theodore Dreiser in its big studio glory days, “is a selfish, self-concentrated, mean, loafing town. The business and political world is hard-boiled and cruel. The movies are solidly Jewish. They’re dug in, employ only Jews with American names and buy only what they cannot abstract and disguise. And the dollar sign is the guide — mentally and physically. That America should be led — the mass — by their direction is beyond all believing. In addition, they are arrogant, insolent, and contemptuous.” [GOULD, p. 298]  “There’s enough sincerity in Hollywood,” wrote H. L. Mencken, “to fill a peanut shell and still leave room for an agent’s heart.” [GITLIN, p. 145] The novelist F. Scott Fitzgerald summed up the Hollywood scene as “a Jewish holiday, a GENTILE tragedy.”

 

In the early days, they had Jean Harlow, the first Blonde Goddess for the Jews to adore. I wrote to you about her. Her Jewish husband, (who was impotent) and only married her to ‘cure’ his problem, would cut off her blonde pubic hairs and put them into gold charms to give as “incentives” and “rewards” to his Jewish buddies.) What a disgrace to our race, to “use” women, right under the noses of White men. No wonder the KKK had to “protect” women, they would screw the enemy as in Hitler’s day. But, even with Hitler’s videos, he was trying to attack a monster with 12 heads as in the Bible apocalypse. Hitler only saw (1) of the heads of the jews. We are seeing all 12 heads of the dragon. (Yeah, the 12 tribes of Israel) She attempted suicide on her wedding night when she discovered he was using her, cause she was a ‘virgin’ and she had religious standards of marrying her husband for life. A Jewish husband. He commit suicide, or at least was found with a gun in his hand. She may have killed him, but it would be the only act of revenge against what the Jews have done in Hollywood.

 

After reading Chapter 1, I now understand, at least in part, why I wrote in my journal email writings, why Hollywood graves of stars were crying, and no one was listening to their tears. I hear their very tombstones, screaming out the Hollywood stars best performances, but it was ‘after’ their death, not while on the Silver Screen.

 

“I’ve always believed that film,” observed Jewish film critic Lester Friedman, “like all art forms, is inherently propagandistic. Even seemingly innocuous pictures carry messages that either support or attack the prevailing status quo.” [FRIEDMAN, L., p. vii]  In this vein, psychology professor Kevin MacDonald suggests sometimes deeper dimensions and themes to Jewish-dominated Hollywood movies. He cites the example of the film Addam’s Family Values (1993), produced by Scott Rudin, directed by Barry Sonnenfeld, and written by Paul Rudnick — all Jewish. “The bad guys in the movie are virtually anyone with blond hair (Gentile, emphasis added to give equal verbage to the White mind so that Jew doesn’t become important by its very sinister traits),” says MacDonald, “… and the good guys include two Jewish children wearing yarmulkes.”

 

I’m adding comments in (   ), because everytime I even say Jew, it makes an impression on my mind, and these ‘negative’ impressions can affect my thinking and behavior. So, in order to cancel out Jew, I have to say “Gentile, White or good, to start dragging us out of the boiling pots they put us in to die. Even then I don’t if this reading is becoming “poison” to my mind, but someone has to point this out as to why are Race is dying, and my purity from their propaganda, may help.

 

Judging by the last name of this person, it is a fellow Polish White person that wrote it: “The Jewish business network that built Hollywood, observes Claire Pajaczkowska, “provided an opportunity for a relatively small managerial elite to formulate American culture as it should or could be. It has been said that ‘Hollywood’ — the American Dream — is a Jewish idea in a sense; IT’S A JEWISH REVENGE ON AMERICA. ”

 

As Marlon Brando once noted, “I’ve never had any respect for Hollywood. It stands for avarice, phoniness, greed, crassness and bad taste.” Mind games, hidden agendas, backstabbings, and all around venality, they all pass without so much as a second glance. Everything is excused in pursuit of the dream.” [FREEMAN, D., 1992, p. 7]”Perelman; Hollywood. Jewish girl, very nice and intelligent. Not fancy,

who had lost her husband out there after three years — her theory [is]that Jewish men thought themselves ugly, so they had to keep proving to themselves what they could do in the way of getting Gentile girls.”

 

Now, take Sharon Tate a blonde Gentile actress that married a Jew.

 

She is wearing a “dark” wig. (Did they use her as a symbol of a Jewish woman. She is in a picture with Max Baer, the Jew, of the fighter that defeated Hitler’s White German) She also had a Jewish manager, Harold Gef”sky”. Sharon Tate’s mother was so ‘afraid for her daughter’s safety’ according to Wikipedia, her mother suffered a nervous breakdown.

Wikipedia, after downgrading Tate’s mother, down grades the first two men who wanted to marry her, which were Gentiles. This makes the Jewish men seem superior or supreme over White men, and we are never going to heal this. The yellow men will take over the world while this is happening. Matter of fact, the black people of America could unite with Africa and take over the world

 

She married Roman Polanski, but the “ski” at the end would make him Gentile Polish, but he is ¾ Jewish, which would make him Jewish by any means. I think the spelling should properly read, “Polansky.” Here is a cut from Wikipedia “The Polański family was a target of Nazi persecution and forced into the Krakow Ghetto, along with thousands of other Polish Jews. Polansky is famous for horror films, but especially “Rosemary’s Baby.” As you know, the blonde Swedish star in that film was “Mia Farrow,” noted as having the first ½ breed baby in Hollywood since she married very black Sammy Davis Jr, (considered in the I Dream of Jeannie, Major Nelson TV show, the Greatest Entertainer in the world.) Rosemary’s Baby was considered a ritual that the Devil had with Rosemary, the blonde. The devil cult gave Rosemary drugs so that she would have intercourse with the devil. Rosemary doesn’t remember it, and when the baby is born, the baby in the basket is ½ devil. A blonde White Gentile with a Devil Baby is a product of a Jewish producer, Polasky. This is what their “real” mind is about, not just fantasy.

 

This Jewish movie, “Rosemary’s Baby” was 1968. White America ate it up, like candy, even though the idea of ½ breeds and killing America’s race, was being held up for their minds to accept and digest as something “sweet and good.”

 

Now, Sharon Tate, the Blonde Gentile, is pregnant with the Jews baby. They are living with 3 other men in this house. Charles Manson is angry with Polansky cause he can’t get his music published in the Jewish music industry. Charles Manson orders his “family” to kill everyone in the house. One of his followers kills Sharon Tate, who begs her to spare her life, “especially that of the ½ Jewish ½ White Gentile baby. Susan Atkins, Charles Manson’s follower, kills Sharon Tate, and soaks up the blood and writes “Pig” on the front door. Roman Polansky had a tight alibi, he was out of the USA.

The Jewish tribal website said that Polasky posed for a picture in front of the house, and demanded $5,000.00 for it. Was the blood still on the door with the words “Pig.” On it.

My own feeling is that there are so many White men on death row because of our lack of attention to our own race, and that our men are being pushed and even “manipulated” into committing crimes to fill the Jewish magazines, Jewish tabloids, so that the world can see just “how bad” the White man is and even unfit to run the USA, as they have created such a ‘bad’ image of George Bush. The White man is even “unfit” to run the world, hence, a Black Candaleeza Rice to run the world as Sec. Of State. I know, my son, Paul Duncan, was living with Jessie Patterson, a pretty young girl from Christian College, whose father worked directly for Candaleeza Rice, the Black,(I called her a black cannibal in my email writings to the radio media in Chciago and he was fired soon after) This father was head of Asia for National Security. But let me not get too far off the subject of Roman Polansky and Sharon Tate.

According to Wikipedia, In1977, Polanski, then aged 44, became embroiled in a scandal involving 13-year-old Samantha Geimer (then known as Samantha Gailey). It ultimately led to Polanski’s guilty plea to the charge of unlawful sexual intercourse with a minor.

 

How many of our White Women are going to be involved in murders, suicides, nervous breakdowns, drugs, spies, sexual perversion, so that the married Jewish man could have his satanic appetite satisfied. We don’t even have laws on the books, to punish them for them dastardly deeds.

 

Hitler and only the almighty Hitler, would have had 13 year old White girls watching videos, not about sex, but teaching young White woman (actually at age 8) to warn them about the Satanic Jewish men. The KuKluxKlan would have to expand and change to include saving White women from Jews.

 

Sometimes it almost seems like Hitler is the coming of the 2nd Christ, but again, I don’t believe that. He was just a ‘good White man.’’ But, when Hollywood turned our White minds upside down, and keeps them turned upside down, he seemed evil and the Jewish man “good.” It doesn’t take a kindergartener to figure that one out.

 

Naturally, Polansky flees to a “psychiataric” evalution. The Jews psychiatrists would label Charles Manson a deadly White killer, but the same psychiatrist would just give a bottle of pills to “poor” Roman Polansky the Jew and set him free. The US government could have demanded that Polansky be prosecuted in France where he was for extradition, but the USA ‘never did.’ They just will put Charles Manson in an electric chair, cause he was so desperate to break into the music world held tightly secure by Jews.

 

I ask myself, James, if the Jews adore these blonde Goddesses only to destroy them, even financially, what about the White men in movies. Elvis certainly was held down to only “B” movies although he had a lot of “feeling.” The Jews used the White males as White sexual slaves. Starting with James Dean, they made him have sex, although he still loved women. James Dean was bi-sexual. Rock Hudson, was gay, and all the stars in Hollywood, were “pro-gay.” There will probably be more, but I never watch movies.

 

Polansky got in trouble again: “ A 2002 article in the magazine written by A. E. Hotchner recounted a claim by Lewis Lapham, editor of Harpers, that Polanski had made sexual advances towards a young model as he was travelling to Sharon Tate’s funeral, claiming that he could make her “the next Sharon Tate”. She was a White Norwegian model. He won the lawsuit and got a bunch of cash. As usual, he must have had a “good” Jewish lawyer.

 

There is a picture in Wikipedia of his name of the sidewalk in the “Stars Walk of Fame” in Hollywood. Again, the Jews trick us by using “5” points on the star, when really they are all “Stars of David.” They were all either Gentiles, married to Jews, Gentiles discovered by Jews, Whites screwed by Jews, Gentiles managed by Jews, Gentile Whites filmed by Jews, Gentiles abused by Jews, etc. etc.

 

Here’s a clip from the website: In 1977 director Roman Polanski, also Jewish, fled America rather than face sentencing for raping a 13-year old model. He had drugged her (with Quaaludes and alcohol) as he photographed the child at an actor’s home. Arrested, he was allowed to work on his current film. As Barbara Leaming notes:

 

“Since the probation report would affect his fate, Polanski worked on his [Jewish] probation officer, Irwin Gold, for whom he painted a picture of a tragic past [Polanski was a Jewish survivor of Nazi-occupied Poland] a compliant girl, and remorse for anything he had done wrong … He managed to win Gold’ssympathy … This was a victimizer as victim — a role Polanskihad played to the hilt.” [LEAMING, 1981, p. 181, 184]

 

 

 

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