kkkaraoke

KKK – Costumed Entertainers

After studying the White Race’s dilemna for over 3 years now, I wanted to re-send this email about the White KuKlux Klan.    Since I was out on Friday as a “Costumed Entertainer,” as the Queen of Karaoke, I couldn’t help but be reminded of the original “Costumed Entertainers,” the first members of the White Ku Klux Klan.  As you can see below in this earlier email, the KKK were very White and very “Romantic.”  I can only imagine my knight in shining armor, coming up to my window in costume serenading me and singing love songs.  Yes folks this is the true origin of the KKK that no Jew News wants you to know.  The Jews have driven our White men to desperation, and the true ‘extremists,’ are the Jewish Supremacist-Extremacists.  (Extremacist word made up, not in the dictionary.) In the past, our enemies, such as Atilla the Yellow Hun, conquered the European lands, took over their people or destroyed them, raped their women and got into control. The Jews have done exactly that, and no one even knows this war has happened.  It is ‘business as usual,’ under our Zionist Regime.   The etching shows the first KKK with a heart on their chest for “love,” not hate, and a cross of Jesus for Christian loving values.  If it changed, it was out of anger and desperation at being and seeing our White Race annihilated, worse than the bombing of Dresden or Hiroshima.  The Jews’ weapons are ‘mental,’ but now that they have nuclear weapons, all I can say is “God help this entire planet,” if anyone steps out of line and doesn’t bow to them constantly.   For the country to expect the White male not to be strong enough to protect himself, his women and children, is so extreme and against Nature, it befuddles and confuses the intellect. And that is what the Jews want: to confuse us. it is ‘easy’ to control a people that is confused.  Even today, the White’s have little if no direction, and just sit and wait for the next Jew News headline to make their decisions in their daily life.   I wanted to dedicate this song to “all White men,” past, present, and future.  Right now on the surface, we  as members of the White opposite sex may be having difficulties, but I believe that has been intentional to diviide and conquer us at the most primal level, while keeping their own Jewish race intact and superior.  Also, the KKK has been “love, music, entertainment, and protection” for White women and our children.  We have ‘none’ now, and look at the state of the White USA. It is on the verge of collapse and in a state of utter confusion. The government had no right to unleash millions of black men, women and children on our soil, to ‘overcome’ and rule us as they do today.    http://www.youtube.com/watch?v=Cte-gPKaVDA Here’s the KKK article I found.  I hope you enjoy:

I’m sure you know a lot about the “Klan” but I came across this interesting tidbit that said the Klan were “costumed” entertainers…..something like me.  And even more so, something of romeos who would ‘serenade’ their White girlfriends.  Here’s the clip:   FROM THE JOURNAL OF AMERICAN HISTORY

KKK pix

Midnight Rangers: Costume and Performance in the Reconstruction-Era Ku Klux Klan

Elaine Frantz Parsons


The Reconstruction-era Ku Klux Klan movement was intimately intertwined with, and completely dependent on, contemporary popular cultural forms and institutions. The degree and significance of this entanglement is most immediately obvious in the Klan’s origins in Pulaski, Tennessee. According to the founding member James R. Crowe, his fellow founder Frank McCord played the violin and Calvin Jones the guitar. The group would “go serenading and amuse ourselves as best we could.” In an unpublished 1911 historical novel about the Klan, Frank McCord’s younger brother Lapsley (himself an early member) remembered that in its early days “there were parties of them out nearly every evening calling upon their sweethearts.” Though that description does not mention musical performance, his account is consistent with serenading. It would, of course, be a mistake to accept early members’ self-interested explanations of their origins at face value. Fortunately, ample additional evidence supports their accounts. The future founders of the Klan first appeared in the post—Civil War public record working together in May 1866, about a month before the Klan was most likely founded. Three of the six founders, Richard Reed, J. C. Lester, and James Crowe, appeared in the Pulaski Citizen (edited by Frank McCord’s brother Luther) on a list of organizers of tableaux staged to raise funds to provide artificial limbs for maimed Confederate veterans. Crowe appeared in one scene as the emperor Aurelian, and Lester appeared in “Queen Elizabeth Discovering her Favorite’s [Sir Walter Raleigh’s] marriage.” Most of the scenes expressed domestic sentiment or provided opportunities for the belles and beaux of Pulaski to display themselves, though Crowe’s Zenobia and Aurelian tableau, for instance, had an obvious political message. McCord’s newspaper reflected that in the scene showing Zenobia, the conquered warrior princess, “raising her deprecating, but manacled hands,” “the fetters degraded not [her] but the haughty Roman [Aurelian] who had imposed them.” Just as these future Klan founders’ first public appearance was performative, so were two of the earliest Klan activities noticed by outsiders: a moonlight dance at which the Klan made a costumed appearance and a parade replete with costumes and musical entertainment.

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There is also material evidence of the Klan’s theatrical roots. Frank McCord’s fiddle still exists, in the custody of the Tennessee State Museum. More intriguing, a contemporary image supports such an account of the Klan’s origins. Recently discovered by the independent historian Bob Wamble, the carte de visite likely represents an early incarnation of the Ku Klux Klan. The image, labeled “Midnight Rangers, Pulaski, Sept. 3, 1866,” depicts seven young men with musical instruments, including fiddles, a guitar, and a banjo. Their informal dress, jaunty poses, hats askew, and choice of instruments indicate that they are performing in either the minstrel style or a closely related folk tradition.  Lovingly, B.A. (I don’t know the roots of the Klan so I did a little study. When I was protesting the ‘illegal criminal invaders: Mexicans,” the only military and police around me having ‘guns’ bullets, (and who knows ‘what’ other weapons in those big trucks) were non-Whites and I even told that to the media that filed it, and was broadcasting.  Surely that never made “headlines.”

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